Monday, May 18, 2020

Titanic: The Legend Goes On [2000] & Creating Rem Lezar [1988]

For years we were apparently under the incorrect assumption that we had seen both of the animated Titanic movies, but last week we discovered that we were wrong (and this probably wasn't the first time we noticed this error). So we decided to remedy this by finally watching Titanic: The Legend Goes On. While the ending certainly isn't as wild as the ending to The Legend of the Titanic (why all these claims that it's a legend when it's a verifiable historical event), this movie had plenty of weirdness in the fact that it had no real plot and instead sustains its barely hour long run time with a ton of subplots, many that feature talking animals. A list of those plots includes:
1. An orphan girl named Angelica has an evil foster mother and two evil stepsisters (don't question it) and she's looking for her mother who gave her a locket when she was little. No idea why she's totally gonna be on this ship but oh well.
2. The mice who Angelica was nice to are trying to get her locket back.
3. Angelica, a poor, falls in love with William, a rich.
4. Some racially insensitive Mexican mice are trying to get home after a tour.
5. The other animals are doing stuff too that most involves partying and punishing the evil cat.
6. There's a butler and singer subplot with the singer's slightly too human-seeming Dalmatians.
7. A detective in disguise is trying to find some jewel thieves who are kind of the villains in 101 Dalmatians and are also incompetent.

8. A lady has fake jewelry and tries to marry an old guy for his money but he's actually in debt and was trying to get her money.

Every character with a plot survives except the singer who choses to go down singing. The mice even give us an epilogue about what happened to all of them.

In addition to the lack of plot, the film has three songs: a party time song sung by a rapping dog, a racially insensitive song by the Mexican mice, and the main theme, which is not horribly offensive but plays over and over until you've lost your mind. The animation is also mostly ugly, weirdly slow, and designwise seems cribbed from various Disney movies (including but not limited to Cinderella, 101 Dalmatians, An American Tail, and Lady And The Tramp).

It was pretty fun.

Spoon Rating: 6


Unfortunately, Titanic: The Legend Goes On was fiercely overshadowed by our second short feature, Creating Rem Lezar, an absolutely bizarre musical film that seems to have been made for children but only under the influence of a copious amount of drugs.

The film starts with a little boy getting yelled at by his teacher for talking about his imaginary friend Rem Lezar so on his walk to the principal's office he sings about dreaming dreams. Rem shows up to sing a bit with him and talks about how much the boy has touched him. A little girl, who is also yelled at by her mother for her imagination and is being punished by having to sleep in the dark, does a duet with Rem that is also at least somewhat dream related. At school, the kids both realize that they have the same god and decide to go into a shed and build him in effigy so they can worship him better. As they sleep (presumably) Rem Lezar takes them on an advantage to defeat a low pixel face in the sky by getting as high as possible. This requires them to go to New York City, a place where there are a lot of high things, and they come across a wild doowop group, a rapper with only a few bars, and a hype violinist because Central Park is just that kind of place. They end up at the Twin Towers and learn that there's nothing higher than love or something and manage to find Rem Lezar's Quixotic Medallion, a gaudy piece of bling with an infinity symbol on it. The kids wake up when a cop finds their Rem Lezar church and they both end up with their own Medallions as a devotional relic so they can continue to worship The Most Holy Rem Lezar.

This was an amazing piece of cinema and I can't recommend it enough.

Spoon Rating: 9

Tuesday, May 12, 2020

Lady Exterminator [1983]

[Cross-posted on the Bad Movie Night Facebook page.]

Life in the quar is a little easier when we watch things that are available on YouTube and with a video title like "Lady Exterminator - Full Movie - The Most Misogynist POS I've Ever Seen-Indonesian Rape/Revenge Trash", we thought we knew what we were in for. Unfortunately in spite of that glowing endorsement right in the title, it was not a fun time. The strangest thing was that once we were over halfway through the movie we started to wonder if we were misinterpertating the title. We all expected a film where a lady got raped and then became a badass who gets revenge. Instead we had gotten plenty of rape but no revenge and we were thinking maybe instead of a lady exterminator we'd be getting an exterminator of ladies, which we really didn't want. It turns out we were right the first time but not until the literal last five minutes of the movie. That movie cover just barely not a lie.

The plot was so convulted that even Sarah could barely follow it. The problem was really a lack of transitions and the fact that everyone was dubbed with the same voice and had similar names (the two main men are named Roni and Rudi for instance). There are some drug lords with a gang of fighting ladies who don't ever really fight and they rape the pregnant wife of a rival who can only have sex with his wife if he's beating her up. Then the rival rapes the drug lord's sister as revenge. There's also some rape of random girls off the street. This movie is a lot of rape is what I'm saying and it is a horrifying chore to watch. Adam at one point bemoaned, "Can't these guys just be civiled and try to kill each other instead?" Then we get our final few minutes where the wife, who had a miscarriage from the rape and not from her husband beating her, appears to get some revenge but it was far too late by that point for us to care. The film ends strangely on a quote from revelations as if he was trying to have a moral.

In trying to look up the plot summary for this film because we were so confused it was actually really hard to find. Part of the reason is that it has a ton of different names. On IMDb it's "I Want To Get Even" and on this Wikipedia article its "Forbidden Items." Perhaps this movie should be more elusive. Perhaps it shouldn't be found.

Spoon Rating: 1.5

Monday, May 4, 2020

The Hunchback of Notre Dame (Dingo Pictures) & The Hunchback of Notre Dame (Burbank Films) [1986]

[Cross-posted on the Bad Movie Night Facebook page.]

Welcome to another entry into The Hunchbackening. It was just Kay, Adam, and Grandma again so it seemed fitting that we would delve deeper into this exploration that no one else wants.


The first animated Hunchback of Notre Dame film from Dingo Pictures was a real treat. This film is probably one of the ugliest and cheapest we've ever seen and it was amazing. I couldn't even find the date it was made or a cover for the film although Dingo Pictures, the company that made it, has a website that can be put in English or German. It kind of follows the Hunchback book plot but with Phoebus never even getting named or doing anything and with the addition of some nuns. Pierre speaks almost wholly in rhymes, Frollo is comically evil, and Clopin is super drunk, but every character is a delight because this is some of the worst dubbing we have ever seen. It was like every take was the first take and there is no attempt to match the lip flaps at all. The animation is also horrible. Quasi is by no means the ugliest character in the move and half the time characters emote by just shaking. There's also a random character in modern dress among all the semi-medieval clothes. The film ends with Frollo dying in the way he's supposed to (getting pushed off Notre Dame by Quasi) and Quasi going to jail but he's happy because Esmeralda managed to escape.

Spoon Rating: 8

The second Hunchback film by Burbank Films Australia was not bad. It followed the book plot even more accurately. Quasimodo was mostly absent for the first 35 minutes of the 52 minute movie. He acts more like an Igor type character than anything else. The first portion of the movie is more about Frollo's lust for Esmeralda (he's randomly an alchemist in this one), Pierre joining the gypsies and his marriage to Esmeralda (in this one he has a hopeless crush on Esmeralda), and the Phoebus getting stabbed at the tavern subplot. The story progresses as expected and it is surprisingly good at showing and not telling but it definitely overlooks some development in the name of keeping the run time short. Frollo dies in this one too in the usual way and Quasi gets declared innocent by Phoebus when he's just wandering by to prove he's not dead. It ends with some really cheesy affirmations from Esmeralda about how Quasi is good so it doesn't matter what he looks like. Honestly, aside from the Disney version, it's probably the best animated Hunchback adaption we've seen.

Spoon Rating: 2. But like 3/5 stars.