This musical started being written in 1975, the same year RHPS came out and it was apparently originally in Hebrew. It would be easy to claim lost in translation when you think about how terrible the song lyrics are, but that's probably not the whole story. The plot is so thin I can explain it in one sentence: an evil record executive who runs a company called BIM that is slowly taking over the world signs a woman from a folk duo while her partner tries to get her back. In between there are songs that are almost entirely performances or character description songs without advancing the plot. The universe is supposed to be like 1984, but it's just generically dystopian with the terms of the world never defined outside of the fact that everyone has to wear a holographic triangle BIM sticker or get fined. Oh, and everyone is dressed like it's a particularly tacky drag show from the 80s. The costumes and sets were clearly where most of the ten million dollar budget went.
So what's with the title? Well, the whole film has a very on-the-nose Bible allegory going on. There's a whole sequence where the executive is dressed as the devil and the main character is given a giant apple that she is told to eat by one of the two main minions. This idea retreats for a while but then the film ends with God coming down from his Rolls Royce in the sky and rapturing a bunch of people: a literal Deus Ex Machina.
Is it worth it? We were kind of on the fence. It only started to feel long towards the end as we spent the first half trying to figure out what the heck was going on, and there's a good about of what. We couldn't decide. It's up to you.
Spoon Rating: 4